Image Credits

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Personal Photograph, 2026.

Van Oosterwijck, Maria. Vanitas with Sunflower and Jewelry Box. Circa 1675. Oil on canvas.

Apoux, Joseph. Sorcières. 1888. Etching and aquatint. L. Joly, Paris.

Hoerschelmann, Rolf von. Nymphe im Baum (Nymph in the Tree). Watercolor and ink on paper, 1927. Städtische Galerie im Lenbachhaus, Munich, Germany.

Personal Photograph, 2026

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Personal Video, 2026

Blanding, Don. 'Tis a Folly to be Wise. 1928. Ink drawing. In Vagabond's House. New York: Dodd, Mead & Company.

Aubrey Beardsley, The Savoy No. 5 (cover illustration), 1896, pen and ink on paper, The Savoy, October 1896.

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Collier, John. Lilith. 1889. Oil on canvas. The Atkinson Art Gallery, Southport, UK.

Seasonal Oddments

Casas, Ramon. Jove decadent (Decadent Young Woman). 1899. Oil on canvas.

Domenico Remps, Cabinet of Curiosities (also known as Scarabattolo), ca. 1690s. Oil on canvas.

Desire

Richard Westall, Faust and Lilith, 1831, oil on canvas.

Stock image: “Heart Graffiti,” licensed commercial stock photography.

Robinson, Charles. His Lips Are Sweet as Honey. 1913. Watercolor and ink on paper. Illustration for The Happy Prince and Other Tales, by Oscar Wilde. London: Duckworth & Co., 1913.

Samhain

Ipswich Hosiery, "The Modern Witch," advertisement, illustrated by H. Augusta Meday, The Ladies' Home Journal, March 1927,

Von Holst, Theodor Matthias. Bertalda Frightened by Apparitions. C. 1830–1835. Oil on canvas.

Poetry

William Russell Flint, Queen Guinevere rescued from the stake by Sir Lancelot, 1911, pencil and watercolor on buff paper, 11½ x 8½ in., private collection.

Spells

Spare, Austin Osman. Drawing from The Book of Pleasure (Self Love): The Psychology of Ecstasy. 1913.

Image Credits

Stock image: “Decaying Brutalist Soviet Lettering,” licensed commercial stock photography.